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Point to Point Navigation: A Memoir | 
| Author: Gore Vidal
Publisher: Abacus
Category: Book
List Price: £8.99
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Avg. Customer Rating:  4 reviews
Sales Rank: 48903
Media: Paperback
Edition: New edition
Pages: 224
Shipping Weight (lbs): 0.4
Dimensions (in): 7.7 x 5 x 0.8
ISBN: 0349120226
EAN: 9780349120225
ASIN: 0349120226
Publication Date: November 1, 2007
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| Customer Reviews:
Gore blimey... June 27, 2008
As a late discoverer of Gore Vidal I am amazed at his literary dexterity. Such an erudite observer of America, the world, himself, and all of life. The essential ironic American. A rewarding read. Now to read more Gore...
 A pleasant surprise August 3, 2007
6 out of 6 found this review helpful
Vidal has managed to present this volume of his memoirs with a winning mix of the self-effacing and the candid whilst at the same time even managing to render his trademark immodesty in an endearing way. The outcome for the reader is not dissimilar to that experienced when allowing an elderly relative to muse on times past, an effect accentuated by Vidal's tendency to move disjointedly between the most unlikely topics brazenly ignoring any supposed need for structure or continuity.
Where he succeeds is in bringing his life to life with a splash of colour and some memorable anecdotes, and the result is an extremely likeable anthology.
Vale for Vidal January 9, 2007
22 out of 24 found this review helpful
If ever your life feels a little thin or uneventful, blame Gore Vidal. He's had enough event and diversion in his time for five or six of us, and he keeps making us feel even worse by not only telling us about them in superbly written memoirs, but looking out of the cover at us all handsome and assured, both in youth and old age.
First there was Palimpsest (1995), dealing with his early life, which Martin Amis called "a tremendous read, down and dirty from start to finish. It is also a proud and serious and truthful book." Now Vidal gives us Point to Point Navigation, subtitled A Memoir 1964 - 2006.
And it is full of everything we have come to expect. Strange stories of all the great and good of the American twentieth century, from the very very famous to the known-in-certain-circles. Vidal's life has been not just more eventful than most, but lived at a more rarefied level; he was brought up among the renowned and the ruling classes, and so the line for him between the personal and the political has always been a thin one.
Quote:
"During the next quarter century I re-dreamed the Republic's history, which I have always regarded as a family affair. But what was I to do with characters that were - are - not only famous but even preposterous? When my mother was asked why, after three famous marriages, she did not try for a fourth, she observed, "My first husband had three balls. My second, two. My third, one. Even I know enough not to press my luck.""
There, he is talking - initially - about his series of novels, Washington, D.C., Burr, 1876, Lincoln, Hollywood and The Golden Age, 'factional' accounts of the USA, which he refers to collectively as 'Narratives of Empire' but which his publishers keep insisting on branding as 'Narratives of a Golden Age.' Throughout Point to Point Navigation, Vidal is at pains to mention his fictional output at every opportunity, making a vain (in both senses) attempt to mark his patch in literary history as a novelist, rather than wit, essayist and polymath. But he can hardly be dissatisfied by how he is already remembered.
And there is a good reason for his interest in remembrance, and how he will be viewed in retrospect. Vidal is now 81 years old, and the spectre of death shadows most of the book. There will not, we suspect, be a third volume. He is writing in "the awful year 2005," after his first full year spent without his partner of 53 years, Howard Auster, and making the move for health reasons back to LA and away from his beloved La Rondinaia, the extraordinary home on the cliffs of Ravello on the Amalfi coast in Italy, where he and Auster had lived since 1963.
The memoir is less structured than Palimpsest, taking almost a diaristic form as he reflects both on the things that happen to him during 2005, the events in the world, and the people he knew whose deaths invoke a flurry of anecdotes. If the book had been more orderly, there is no doubt that Vidal would have left the strongest material to the end, instead of one-third in where it now appears. This is his report of the death of his partner Howard Auster in November 2003: the long struggle from illness to illness, the childlike reduction in his life, and most movingly, an extraordinary account of how Vidal looked into Auster's still-alert eyes after his heart stopped and held his gaze as he watched life ebb away from him. It is worth, as they say, the price of admission alone and if it doesn't move you to weeping then you should have your tear ducts checked by a qualified professional.
So strong is the feeling of mortality throughout the book (assisted by the black cover) that it almost feels like a posthumous publication. Vidal is still vital however, and the effortless quality of his prose reminds us that although he is "moving, graciously, I hope, toward the door marked exit," he is still fully with us.
And I do not want to suggest that the book is overwhelmingly gloomy or morbid. There is plenty of Vidal's wit in evidence, and his contempt for the current (and most past) American administration, and his country's cultural mores.
Quote:
"A current pejorative term is narcissistic. Generally, a narcissist is anyone better looking than you are, but lately the adjective is often applied to those "liberals" who prefer to improve the lives of others rather than exploit them. Apparently, a concern for others is self-love at its least attractive, while greed is now a sign of the highest altruism. But then to reverse, periodically, the meaning of words is a very small price to pay for our vast freedom not only to conform but to consume."
Despite the occasional stretches where he mistakes his intimate knowledge of some lesser-known folk with our interest in them, the overall feeling of gratitude and what Martin Amis called "a transfusion from above" when reading Point to Point Navigation, means I can offer it only the highest praise. It is a perfect vale for Vidal.
Between Obituaries December 10, 2006
24 out of 27 found this review helpful
"No other writer has peered so intently under the hood of American Society. None can match his uncanny gift for "telling us what we want to know' about public life, including politics, theatre and the movies. His new book is sad, spotty chronicle that would suggest Gore is stuck in a fog from a dwindling set of landmarks. Vidal's' imagination has always been able to get into the past" James
None of us know much about Vidal Gore, he likes it that way. His two memoirs have shed light on himself and the people he liked and loved. Gore's wit could cut someone, usually politicians, to the core with out them even realizing they had even a sliver. However, with his contemporaries, authors, he is even tempered and respectful. His stories about Tennessee Williams, whom he adored, but wrote about with sarcasm, are ones to savor. As are his stories about and with Johnny Carson. Carson and Gore liked each other and when Gore appeared on 'The Tonight' show, that was what television is all about. Marcus There are witty remembrances of Paul Bowles, Federico Fellini, Amelia Earhart, and Jackie Onassis. Gore Vidal's father had a 'fling' with Amelia Earhart and hits inside is a story in itself. Of course, the fact that Gore Vidal had entrance to the Camelot known as the Kennedy Administration was his forte. He and the Kennedy's had spats but one of the final chapters in this memoir is about Kennedy and his death and has credence.
The most painful to read portion of this book is the time and death of Vidal's companion Howard Austen. Vidal gives s a vivid portrayal of his life just before his death and the final moments of Howard's life. These are poignant and give us insight into this great man.
We learn about Vidal Gore's entry into politics and why it did not work out. The writing of his forty-sox books, his philosophy of life and the writers he revered. Montaigne is the author he reveres and reads time and again about memory and the lapses of memory.
"Gore Vidal has the looks of a prince, the connections of a prince, more wit than any prince, and a prose style that should be the envy of the dwindling few who realize that prose style matters." Larry Mc Murtry.
This is a book to be revered if you are a Gore Vidal fan, as I am. I did not want it to end. Gore Vidal is now eighty-one and his memoirs may end but a trilogy would be most welcome. Highly Recommended. prisrob 12/09/06
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