The Self-made Tapestry: Pattern Formation in Nature

British science writer Philip Ball joins an illustrious band of scientists and writers who have been stimulated to try and make sense of all this patterning which surrounds us. He particularly follows in the footsteps of D'Arcy Wentworth Thompson, whose 1917 book On Growth and Form has been enormously influential. Generations of scientists have been inspired to look more closely at the relationships between organisms and the way they use materials for constructing their skeletons and homes from individual shells to whole cities. Equally, artists have been reminded to look again at nature, just as their Renaissance forbears, such as Leonardo Da Vinci, did. Modern architects looked again at the logarithmic spiral and the Golden Section derived from it, as did the superlative architects of classical Greece, to proportion their buildings.

Thompson's classic work is a particularly hard "act" to follow but Ball acquits himself very well. From his position as an editor at premier science journal Nature, Ball is particularly well placed to survey the enormous range of contemporary scientific investigation which reveals the extraordinary extent of nature's patterning. Using a wealth of illustration, Ball attempts to go beyond the niceties of a host of attractive examples, in order to "map many of nature's tapestries into some universal blueprints, in which the specifics cease to matter". The physics, mathematics and chemistry are well handled for the lay reader. A good bibliography, index and "home experiments" (not for the uninitiated) help those who want to explore further. After reading this book you will find yourself looking anew at cracked windows, fingerprints, dissolving coffee grains, boiling water, leaf veins... --Douglas Palmer