The Earth from the Air Postcard Book | 
| Authors: Yann Arthus-bertrand, Maximilien Rouer Publisher: Thames & Hudson Ltd Category: Book
Buy New: £7.95
New (12) Used (12) from £0.38
Avg. Customer Rating: 15 reviews Sales Rank: 145027
Media: Card Book Pages: 22 Shipping Weight (lbs): 0.5 Dimensions (in): 8.2 x 5.4 x 0.4
ISBN: 0500282927 Dewey Decimal Number: 778 EAN: 9780500282922 ASIN: 0500282927
Publication Date: October 2002 Shipping: Eligible for Super Saver Shipping Availability: Usually dispatched within 24 hours
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| Editorial Reviews:
Amazon.co.uk Review French photographer Yann Arthus-Bertrand and his devoted team have spent five years putting together this voluminous gallery, selecting 195 images from 100,000 photographs taken from helicopters in the skies over 75 countries. It is a staggering achievement and precisely shows how vaguely we know our world. Statistics play a secondary, but vital, role; the text that accompanies the shots (a paragraph each, with a short essay adorning every chapter), highlights the degree to which we have abused our Eden, providing a sobering adjunct to what can at times be mistaken for a planetary holiday brochure. Of primary concern, however, are the pictures. Almost every plate is double page, reproduced in sumptuous vibrant colour, with helpful fold-out notes for each shot. The standard is a visual treat but, damn it, books should be luxurious sometimes. Huge African cotton bales become cauliflowers, logs floating down the Amazon are nothing more than matchsticks, the extraordinary contours of Turkey's Cappadocia are more like lunarscapes and South African sea-lions gathered to mate eerily echo an earlier crowd of curious humans in Côte D'Ivoire. In contrast, a solitary human figure frequently gives perspective to a shot, though occasionally superfluously, for the obliquity of perception can add resonant depth, reducing mighty river courses to glistening snail trails. Much on show is conventional, exceptional landscape photography, but Arthus-Bertrand also trains his lens on our fingerprints smudging the idyll, such as the depressingly overcrowded shanty towns, favelas of Rio de Janeiro or the sprawling communal rubbish heap of Mexico City. However, the hovering eye, like a benevolent celestial deity, cannot help but impose a fragile beauty even on these blights, reclaiming the scarring chaos from its despoilers and harnessing the sense of mortal finitism necessary for a solution of ecological sustained development to be convincingly reached. Arthus-Bertrand's desire to take his art "beyond the anecdotal", to give his subject the space in which to impose its own beauty, allows a gleefully conspiratorial voyeurism, at once empowering and humbling, that at its best captures something quasi-religious in its intense calm. As Louis Armstrong once growled, what a wonderful world. --David VincentThis text refers to the first edition.
Amazon.co.uk Review French photographer Yann Arthus-Bertrand and his devoted team have spent five years putting together this voluminous gallery, selecting 195 images from 100,000 photographs taken from helicopters in the skies over 75 countries. It is a staggering achievement and precisely shows how vaguely we know our world. Statistics play a secondary, but vital, role; the text that accompanies the shots (a paragraph each, with a short essay adorning every chapter), highlights the degree to which we have abused our Eden, providing a sobering adjunct to what can at times be mistaken for a planetary holiday brochure. Of primary concern, however, are the pictures. Almost every plate is double page, reproduced in sumptuous vibrant colour, with helpful fold-out notes for each shot. The standard is a visual treat but, damn it, books should be luxurious sometimes. Huge African cotton bales become cauliflowers, logs floating down the Amazon are nothing more than matchsticks, the extraordinary contours of Turkey's Cappadocia are more like lunar scapes and South African sea-lions gathered to mate eerily echo an earlier crowd of curious humans in Côte D'Ivoire. In contrast, a solitary human figure frequently gives perspective to a shot, though occasionally superfluously, for the obliquity of perception can add resonant depth, reducing mighty river courses to glistening snail trails. Much on show is conventional, exceptional landscape photography, but Arthus-Bertrand also trains his lens on our fingerprints smudging the idyll, such as the depressingly overcrowded shanty towns favelas of Rio de Janeiro or the sprawling communal rubbish heap of Mexico City. However, the hovering eye, like a benevolent celestial deity, cannot help but impose a fragile beauty even on these blights, reclaiming the scarring chaos from its despoilers and harnessing the sense of mortal finitism necessary for a solution of ecological sustained development to be convincingly reached. Arthus-Bertrand's desire to take his art "beyond the anecdotal", to give his subject the space in which to impose its own beauty, allows a gleefully conspiratorial voyeurism, at once empowering and humbling, that at its best captures something quasi-religious in its intense calm. As Louis Armstrong once growled, what a wonderful world. --David Vincent
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| Customer Reviews: Read 10 more reviews...
A wonderful book - but you never see a whole photo October 21, 2005 15 out of 16 found this review helpful
This is a really amazing book, and the photos are stunning. It would, though, have been better if the book was printed in landscape format with one photo on each page. In this book many of the photos are totally ruined by the fold, which effectively splits the images into two separate entities. This is especially annoying when you consider that the center of the image - the part obscured by the fold - often containes the focus point (a tree or a man). Buy this book if you must, but if you can: buy another version!
Great, great images, poor, poor layout. December 25, 2004 18 out of 18 found this review helpful
I don't feel I can add much to the overall comments that have been raised, the images are indeed first rate, however I'd like to emhasise that the arrangement in this book seriously detracts from it, a travesty given the wonderful images it contains.The use of double page spreads almost exclusively is visually awkward in a book you cannot actually lay flat, and the focal point of many images lies directly in the fold. There are many images that are 'written off' purely through poor layout in the book, and for a book of this price (and images of this merit) I expect better. There is some justification in that the images are well ordered and plenty of good background detail given, but this is a book that presents the images, and adequate presentation of these images must be paramount, ahead of all other concerns. I concede that the images will be secondary to many, but I feel this is marketed as a book of photos, and hence these must take precedence. I only write this as it is such a waste, the images themselves are extraordinary, I feel a sense of frustration that common sense couldn't prevail and images could not have been kept to one page or arranged in a less damaging manner. The more I look through the book the angrier I get, as so many images are impaired in this way. The fact that the images are so good is really the cause of my anger - I keep thinking of 'what could have been', and how simple it could have been to achieve it. If the French version does indeed use single page images (as suggested in an earlier review), I would urge everyone who is interested to seek out a copy of that instead, the images deserve far better presentation than has been implemented here. I cannot state strongly enough, the images are very good. Unfortunately I must include the caveat that questionable production has severely dented their impact.
truly amazing! December 1, 2004 3 out of 3 found this review helpful
I'm an art student and have always loved the way nature produces true masterpieces and we don't even notice it! This book shows us that we will never beat it's beauty. The photographs are fantastic, inspirational and gives you a sense of awe and wonderment. I highly recommend this book for anyone who loves photography, landscapes and just beauty in their surroundings :)
The Earth from the Air October 12, 2004 7 out of 7 found this review helpful
A fabulous book with masses of inspired and inspirational photograhy, and all supported by great explanations/facts about our planet. Its an enormous tome and great value for money.An outdoor exhibition of the photos is currently touring the UK. It's been in Birmingham all summer, understand its in Bristol and London for the Autumn. This exhibition is well worth seeing - 'cos when you have you will HAVE to buy the book.
Seeing the earth from the air February 2, 2003 39 out of 39 found this review helpful
This book holds so many diverse photographs - some geographic, others funny, others abstract and some reflecting the incredible features of nature, using images from all round the world. The photographs are informative and artisitc at the same time and the quality of precision and colour are fantastic. From dye wells in Morocco, camels with their shadows in the desert, flamingoes in their masses to field shapes and rows upon rows of tulips, this book offers unending scope for looking so closely at detail and texture. I would reccomend this book to anyone interested in photography, geography or just wishing to enjoy a great mixture of images from different cultures. It really is stunning...
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