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| Seance, The |  | Author: John Harwood
Publisher: Jonathan Cape
Category: Book
Avg. Customer Rating:  8 reviews
Sales Rank: 322807
Media: Paperback
Edition: Airport / Export e.
Pages: 304
Shipping Weight (lbs): 0.7
Dimensions (in): 8.4 x 5.3 x 0.9
ISBN: 022408187X
EAN: 9780224081870
ASIN: 022408187X
Publication Date: April 3, 2008
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| Customer Reviews: Read 3 more reviews...
"The candle flame reflected beneath a blurred image of my face, the darkness is absolute." January 4, 2009
2 out of 2 found this review helpful
A man who believes in supernatural powers and seeks to harness them for his own ends lies at the core of The Séance, a beautifully plotted Victorian ghost story where the craving of power and revenge fuel much of the action. When the poverty-stricken Constance Langton inherits the vast ramshackle Wraxford Hall, the very large but quite uninhabitable manor house that lies on several hundred acres of woodland near the Suffolk coast, she cannot believe that all of the reported terror and cruelty could have taken place there. The house indeed has a dark history, where lightening bolts unexpectedly strike, where a ghostly suit of amour towers among the shadows, where the dark and sinister powers of mesmerism reign, and where the Hall's reclusive owners, Cornelius Wraxford and his only heir, his nephew Magnus, seem to have died in mysterious circumstances.
John Montague, the family solicitor for the Wraxford estate, has sought Constance out to tell her that she is indeed the principal beneficiary and the sole heir to Wraxford Hall. The property is heavily encumbered with debt, the news forcing Constance to reflect on her own difficult circumstances, her estrangement from her uncaring father, her mother dead from heartbreak, and her sister Alma's sudden death. Only through Constance's encounter with the local spiritualist society and the comforts that the séances can bring can Constance lift the burden of guilt and self-reproach. Now living with her Uncle and plagued by an increasing restlessness of spirit, it is not surprising that she is attracted to Montague's strange and sinister tales of Wraxford Hall and that of Eleanor Unwin who was once married to Magnus, but had inexplicably disappeared with her baby daughter Clara on the night Magnus was planning to hold some kind of bizarre experiment.
As the bitter cold and the wind howls around his house as though it would never cease, the narrative of John Montague begins with the tale of a haunted of Monks' Wood: " give the Hall a wide berth, especially after dark," and also of Magnus who has an initially charming personally and at first quite agreeable, but which only compounds the suspicion against him. And then there's Wraxford Hall itself, like a character that lives and breathes within the pages, with its faded tapestries, and its compounding air of desolation, " a cold bleak, echoing place, constantly smelling of damp and decay." The grey mist swirls and the focus changes to Eleanor Unwin whose frightening visions foretell death, particularly that of her fiancé Edward Ravenscroft, "the slender young man in his dark suit of mourning," and her visions of his death before she had even met him, and then her own disappearance and that of Clara.
Restless and unhappy, and separated by time but not necessarily by circumstance Eleanor and Constance's lives steadily parallel as the mystery of Magnus and his strange attachment to Wraxford Hall is steadily revealed. Both women are down on their luck and stifled by the moral strictures of Victorian society. Certainly Eleanor starts out in thrall, coming under the spell of Magnus who seeks to mesmerize her, but he eventually subdues her will and shrouds her perception so that it becomes almost impossible for her to escape from his Machiavellian delights. Meanwhile Constance battles her desire that she may well be Eleanor's lost daughter Clara, drawing on the affinity she feels from the first pages of Eleanor's narrative: "It's as if the voice she heard from those pages was already familiar to me."
With his tale awash with the paranormal and also sinister apparitions, much of John Harwood's novel is seized with a creeping, mortal dread that coils around the black clouds that constantly boil up above Wraxford Hall." Neither Eleanor or Constance are able to control their own destinies as their stories gradually interlock and Constance ends up finding herself at Wraxford Manor, caught up in a terrifying frenzy of ghostly goings-on. As this fine psychological novel moves from the claustrophobic and smoky drawing rooms of London where séances trap the innocent to the wild surrounds of Sussex and the ever-present darkness of Wraxford Hall, the pages are awash with murder and betrayal, the evil machinations of Magnus Wraxford and the spirits of the dead always around, eventually separating Constance from Eleanor "by only the thinnest of veils." Mike Leonard January 09.
Channelling the ghost of Wilkie Collins, via Stephen King... January 3, 2009
1 out of 1 found this review helpful
This is a fantistically gripping, multilayered and clever little novel. As other reviews have mentioned, it harks back in its style, its subject matter and its overall flavour to the great Wilkie Collins at the height of his powers. Yes, think 'Woman in White' and 'Moonstone' but the one it reminds me most of is the, (in my opinion) ,far superior 'No Name'. They share a spirited heroine, with courage and daring beyond her time and numerous nefarious deeds.
Indeed it is easy to forget that John Harwood is not a Victorian great himself, so powerfully does he evoke the best sensationalist and gothic fiction of the time....perhaps, in keeping with the subject matter, a little spirit guidance is at work?? Only Harwood is also clearly subject to modern conventions of storytelling too and knows his readers now have a far greater cannon of sensationalist literature and film-making to draw upon and his novel is a modern work in the best sense:- lean and muscular, where older fiction can be flacid; unafraid of playing with conventions and most importantly, unpredictable. Its almost as if Wilkie Collins had been able to read Stephen King, Joe Hill and other modern horror icons, before popping back to Victorian England to pen this one!
This is a clever, involving and tautly spiraling work that rewards the reader with a cracking story, clever mystery and chills aplenty. You will want to stay up late into the night reading this one. Buy it...and if you haven't also read 'The Ghost Writer', the first novel by Harwood get that too. And spare a thought for old Wilkie Collins... read No Name its fab too.
 Writing at it's best. November 30, 2008
0 out of 1 found this review helpful
A wonderful story that transports you to Victorian England - very atmospheric with haunting descriptions - but extremely easy to read.
The story is cleverly told through the narratives of different people involved in the unfolding mystery chapter by chapter.
The only teensy complaint is that perhaps it was a little bit too neatly tied up at the end (hence the 4 stars). A marvellous piece of writing none-the-less. READ IT!
Evoking the spirit of Victorian nastiness October 22, 2008
3 out of 3 found this review helpful
Elegantly written, clearly well-researched and downright creepy, The Seance both excites and intrigues from the first page.
As the mystery unfolds through the different first-person narratives around which the story is structured, the reader is sucked into the dark underbelly of Victorian society which seems so real you can almost taste the Cholera.
Whilst not out and out frightening, the chills are created by implication and suggestion, and the author does a fantastic job of keeping his audience constantly on edge without ever resorting to major shocks.
The only reason it's not a five-star rating is that whilst promising so much throughout, the denouement is a tiny bit predictable. But as the journey that takes you there is so enthralling, it's bordering on the churlish to dwell on that minor (subjective) fault too much.
Oh, and the cover design is absolutely beautiful.
A fine modern Victorian ghost story August 8, 2008
16 out of 18 found this review helpful
If you loved 'The Turn of the Screw' or if you like dabbling in the stories of M.R. James then this book is for you. It may be a modern book, but the verimisilitude of the writing is such that it could have been written a hundred years ago; the characters come across as of their time, the setting is perfectly recreated and their actions ring absolutely true. This is a book whose scares lie in what ISN'T written down, but where your mind fills in the horrors between the flashes of lightning, strange noises and ghostly apparations.
I adored this book and my only regret is that I'm far too quick a reader to make it last.
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