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The Birthday Present | 
| Author: Barbara Vine
Publisher: Viking
Category: Book
New (2) Used (2) Collectible (1) from £9.00
Avg. Customer Rating:  12 reviews
Sales Rank: 16790
Media: Hardcover
Pages: 273
Shipping Weight (lbs): 0.5
Dimensions (in): 9.4 x 6.6 x 0.4
ISBN: 0670917613
EAN: 9780670917617
ASIN: 0670917613
Publication Date: August 28, 2008
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Amazon.co.uk Review
Those who feel that Ruth Rendell's best writing is done under her Barbara Vine nom-de-plume (and there are many who do) will need little persuasion to pick up The Birthday Present. But the fact that this is something of a departure for the author -- under either of her names -- may give them pause. Margaret Thatcher's days as prime minister are over, and the John Major era of the Conservative party is about to begin. The media is full of tales of sleaze and corruption, and it is not a good time to be a Tory Member of Parliament. However, Ivor Tesham is sanguine: money is no object to him; he is charismatic and attractive, and he is in the middle of a passionate affair. The fly in the ointment is the fact that this is an adulterous relationship: not a happy state of affairs when PM John Major has made 'Back to Basics' morality and 'Victorian Values' the new yardsticks for his variously philandering and kickback-taking MPs. Ivor and his lover -- the beautiful Hebe Furnal -- share a particular erotic predilection; a taste for bondage and the more risky extremes of sexuality. Ivor arranges for a mock kidnapping in line with the couple's games, but, needless to say (this is a Barbara Vine novel, after all), things quickly go pear-shaped, and Igor find that everything he holds dear is about to be stripped away from him. As this synopsis suggests, Rendell is moving into even more incendiary territory than she has traversed before, and the political element makes the experiment even more piquant. Those who know Rendell's association with the Labour Party (she is a working peer) might assume that a novel which rekindles all the sleaze of the last Tory government (particularly when the latest incarnation of the party is riding high in the polls) is a political act, but Rendell/Vine is far too sophisticated a writer to fall into that trap. In fact, this is one of the most ingenious and disturbing books. As often before with her, the stake for the central character could not be higher and it is impossible not to be drawn into the plight of the beleaguered Ivor (not for the first time, we are reminded of the author's distinguished American predecessor Patricia Highsmith). The Birthday Present,disturbing as it is, will sit happily on your shelves alongside all the other Barbara Vine titles -- and if you don't possess them, why not? --Barry Forshaw
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| Customer Reviews: Read 7 more reviews...
 Losing the plot November 24, 2008
1 out of 4 found this review helpful
Disappointed with this. I have read almost everything she has written as Rendell/Vine and loved about 95% of them.
This seems to be a tale of kindly, beautiful toffs and violent, workshy, envious lower class types. I agree it is a gripping yarn so you do have to keep on reading it to the bitter end but difficult to believe in some of the characters e.g. Juliet, Philomena Lynch and of course Ivor himself. How lucky he made such a good recovery from the hole in the head (didn't a doctor say it was like having a severe stroke) when Dermot was reduced to a vegetable after the crash. Also RR sems to be a bit too p.c. for me.
Perhaps it's time for her to call it a day.
Its an ok read.... November 3, 2008
1 out of 5 found this review helpful
I bought this book at the airport for a good read for my holiday. I have never read any of 'Barbara Vine's' work but i must say I was left disappointed. I found the story and the concept quite interesting however, I was left with many un-answered questions and quite confusing towards the end.
 Classic Vine Suspense November 3, 2008
3 out of 4 found this review helpful
Ruth Rendell, writing under the pseudonym of Barbara Vine steps away from her other novels and manages to create a sense of intrigue and suspense. The Birthday Present, Vine's thirteenth novel, doesn't disappoint and draws the reader in with the story of Ivor Tesham, a rising star of Thatcher's 1980s Government, whose affair with an attractive married woman and his special `present' to her, causes a chain of disastrous events to unfold. The story is told via the viewpoint of two contrasting narrators: Jane, the friend and solid `alibi' for her friend's affair and Ivor's own brother-in-law, a pleasant, unassuming family man who provides a good juxtaposition against Ivor's ambitious and unpleasant character.
I'm a huge fan of all the Barbara Vine novels and I absolutely loved this book and found myself looking forward to bedtime, so that I could curl up with this delicious novel. It's a book that stays with you for ages after it ends and this in my opinion, is the hallmark of a brilliant writer - long may the Vine novels continue!
Barbara Vine - The Birthday Present September 30, 2008
7 out of 7 found this review helpful
(I intended four stars but I can't change it back. Oh well.)
The Birthday Present has probably been the book I was most looking forward to in 2008, especially considering how good Rendell's last effort under the Vine name - The Minotaur - was. Sadly, this doesn't get within a long creeping tendril's distance of the quality.
It's early 1990. The Thatcher government it's nearing it's last days, and there's a love affair going on. Ivor Tesham, a thirty-year-old political rising star is secretly bedding beautiful London housewife Hebe Furnal. For her birthday Ivor decides to give her a special present that certain more open couples have begun to engage in: a practice known as `adventure sex'. Hebe is to be abducted, consenting but unknowing of when, at an unknown venue and time, bound and gagged, then delivered to her lover at a specified location... The decision to "treat" Hebe to this fashionable new thrill is one that will lead to tragedy touching the lives of several people, least of all Tesham's.
The Birthday Present is an odd beast among the Vine canon, almost entirely unlike any of her other, which normally feature hidden, secret crimes of the past, dark, cloudy tragedies recollected in the present or some further point, that gradually become unfolded to reveal something horrific. This, however, is more a political satire-cum-thriller. It is, admittedly, absolutely full of many of the things one would expect of a Vine novel: a brilliant conveyance of the psychology of its many characters, and a demonstration of a remarkable insight into the time-period in which it is set. The characters, with their weaknesses and leavening normalities, are of course brilliantly written. As is the portrait of a primarily self-obsessed early-nineties era. Vine plays this aspect of the social landscape up, and that is the part which contains the majority of the subtle satire. The novel is brought to us in two parts, the first-person narration of Ivor's brother-in-law, and the first-person diary of Hebe's "best friend" Jane, who Hebe largely used merely an alibi to keep her affair under wraps. Jane is a particularly Vine-esque piece: a lonely, bitter 30-ish spinster whom one would feel utter sympathy for were it not for the fact that her loneliness has made her unspeakably selfish, self-obsessed, and vaguely deluded. Her characters, as ever, are perfect examples of how to place a reader's opinions in conflict. At times I felt infinitely sorrow and pity for Jane, at times one wants laughs at her and, cruelly, almost believes she deserves herself. Ivor's self-obsession is a slightly different story: his ability to think about anyone but himself or his political career induces nothing but coldness, apart from the occasional wistful brace of pity at his naivety. Ultimately, few readers will care that his political career is bound to come tumbling down, which might be part of the problem. It is bound to happen, but no one cares, which renders the crucial question (and with Vine there is always one crucial question, one that is supposed to taunt the reader throughout, this time that of how the man's career tumbles) almost irrelevant.
Vine also makes good use of questions of fate and chance to inject levels and power and intrigue into the novel, but ultimately any good work is dampened by the ending (much like the latest P.D. James novel), which is disappointing for a reason unheard of in Vine: simply, there is no surprise. Not even an effort at one. What has been destined to happen all along, turns out to happen, and that's pretty much it. There's a little subplot - that of Jane - to be dealt with, and dealt with it is, but not in a way that has any great shocks or surprises. The fact that everything turned out to be so predictable disappointed me greatly. It's possible that Vine was aiming at something different with this novel, making it more of a criminal satire than a novel of secrets and surprises, but the aspects of satire are not enough to give the novel enough oomph. Vine's strengths are the unveiling of hidden, shocking secrets, the revealing of twisted psychologies, and they really needed to be present here as well. It's a great shame, as I thought the premise was absolutely brilliant: a woman captured from the secret for the purposes of `adventure sex'. It's a great plot-point to start with, but sadly Vine takes her focus elsewhere, which also added to my disappointment.
For Vine fans, The Birthday Present may be a disappointment, but it is still certainly worth a read for its social insights and psychological portraits. It's a good novel, and I enjoyed reading it, but I was just very disappointed that it was less than it could be. Non-Vine fans, or readers who prefer satires or political novels, may well - unclouded by expectation - find much indeed to like here. So, for almost any reader it is certainly one to have a crack at. It is, after all, brilliantly written. And that is a worthwhile pleasure for anyone.
A Good Read September 29, 2008
2 out of 3 found this review helpful
Whilst not reaching the heights of A Fatal Inversion or House of Stairs it was far better than some recent Barbara Vine outings (The Blood Doctor/Minotaur/Chimney Sweepers Boy).
The characters are well drawn and believeable but there are a few too many coincidences in the plot for my liking.
Would these characters' paths really have crossed quite so frequently? Still, a good read though.
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